Buddhist Scriptures
Buddhist scriptures are a vast and
wide terrain. If you wished to read them all in the original language they were
written in you would need to be a prodigious linguist. You would need to know Pali, Sanskrit, Chinese and Japanese just to start with.
Fortunately, the Buddha's teachings have all been translated into modern
languages and are therefore accessible to us all. The starting point, however,
for any initial foray into this wealth of Buddhist scripture is the Pali Canon, the first scriptures to be committed to writing
after the Buddha's death and final entry into Nirvana.
The Pali
Canon consists of three divisions, the Tipitaka (or Tripitaka in
Sanskrit) which literally means the 'three baskets'. Each of these baskets has
different concerns.
First, there is the Vinaya Pitaka, the Book of Discipline, which
includes the rules of monastic discipline given by the Buddha during his
lifetime. The second division is the Sutra
Pitaka, a collection of the Buddha's
discourses. This has particular significance as it contains the essential
teachings of the Buddha, accounts of his own enlightenment experience, and
instructions on morality and meditation. The third division is the Abhidhamma Pitaka or Higher Teachings which
offers an intricate analysis of the nature of mental and physical existence.
The fact that the Pali Canon every
came to exist in such a highly developed form is something of a miracle. After
the Buddha's parinirvana - his death and final entry
into Nirvana - the Buddha's followers met at what was called the First Council,
and a consensus was formed on what the Buddha's teachings actually were. There
were then committed to memory and passed down orally from generation to
generation. An amazing feat! It was not until the first century BCE that the
Buddha's teachings were finally written down. The language used was Pali, the liturgical language of Theravada Buddhism. The
scriptures were written on palm leaves and stored in three baskets, hence the name
Tipitaka.
The Saddharma-pundarika, or Lotus of the True Dharma is
written in Sanskrit and has become one of the most influential of Mahayana
scriptures. Analysis suggests that it was written between 100BCE and 200C. In
the Lotus Sutra, the
Buddha in the form of Sakyamuni speaks to a vast
audience of assembled saints, monks, nuns and bodhisattvas. One of the key
Mahayana concepts to be found in the Lotus
Sutra
is that of 'skill-in-means'. This is the idea that the Buddha has adapted his
teachings to suit the level of his audience.
The Heart
Sutra
is believed to have been written about the first century BCE. Although this is
a very short text - about a page in length - it has been enormously
influential. Essentially it expounds the concept of 'emptiness' (sunyata), a key
term in Mahayana philosophy. In short, sunyata refers
to the absence of self or essence in all conditioned phenomena: 'form is
emptiness and emptiness is form'. The world is seen as a complex of ever-changing,
fluctuating elements (dharmas): 'Here,
O Sariputra, all dharmas
are marked with emptiness'. The texts culminates with the mantra: 'Gone, gone,
gone beyond, gone altogether beyond, O what an awakening, all-hail!'.
The Diamond Sutra takes the from of
a dialogue between Sakyamuni Buddha and the disciple Subhuti. In it the Buddha expounds the notion that that the
self and the world around us are ultimately illusory: 'The appearance of self
is actually no appearance. The appearance of others, the appearance of living
beings and the appearance of a life are actually not appearances'. The world
that we think is real is no more than 'a dream, an illusion, a bubble or a
shadow.'
Subhuti
asked, "So what should be on
oneÕs mind as one begins the Bodhisattva journey?"
"Like a falling star, like a
bubble in a stream,
Like a flame in the wind, like frost
in the sun,
Like a flash of lightning or a
passing dream --
So should you understand the world
of the ego.Ó